{"id":194,"date":"2020-02-27T16:58:45","date_gmt":"2020-02-27T15:58:45","guid":{"rendered":"http:\/\/ornamentasacra.kikirpa.be\/?page_id=194"},"modified":"2022-09-04T22:18:00","modified_gmt":"2022-09-04T21:18:00","slug":"publicaties","status":"publish","type":"page","link":"https:\/\/ornamentasacra.kikirpa.be\/?page_id=194&lang=nl","title":{"rendered":"Publicaties"},"content":{"rendered":"\n

2017<\/strong><\/p>\n\n\n\n

Barbara Baert<\/strong> & Sophia Rochmes (eds.), Decapitation and Sacrifice. St. John’s Head in interdisciplinary perspectives: Text, Object, Medium<\/em>, (Art&Religion<\/em>, 6), Peeters, Leuven, 2017.<\/p>\n\n\n\n

Barbara Baert<\/strong>, \u00ab\u00a0Vox clamantis in deserto. John’s Head on the Silent\u00a0\u00bb, in: Barbara Baert & Sophia Rochmes (eds.), Decapitation and Sacrifice. St. John’s Head in interdisciplinary perspectives: Text, Object, Medium<\/em>, (Art&Religion<\/em>, 6), Peeters, Louvain, 2017, p. 63-92.<\/p>\n\n\n\n

Barbara Baert<\/strong>, \u00ab\u00a0Wandering Heads, Wandering Media. Framing the Head of Saint John the Baptist Between Sculpture and Painting\u00a0\u00bb, in: Barbara Baert & Sophia Rochmes (eds.), Decapitation and Sacrifice. St. John’s Head in interdisciplinary perspectives: Text, Object, Medium<\/em>, (Art&Religion<\/em>, 6), Peeters, Louvain, 2017, p. 197-231.<\/p>\n\n\n\n

Barbara Baert<\/strong>, Lieve Watteeuw & Hannah Iterbeke, \u00ab\u00a0Late Medieval Enclosed Gardens of the Low Countries Mixed Media, Remnant Art, R\u00e9cyclage and Gender in the Low Countries (16th<\/sup> c. onwards)\u00a0\u00bb, in: Gra\u017cyna Jurkowlaniec, Ika Matyjaszkiewicz & Zuzanna Sarnecka (eds.), The Agency of Things in Medieval and Early Modern Art: Materials, Power and Manipulation<\/em>, Routledge, Londres, 2017, p. 19-33.<\/p>\n\n\n\n

2018<\/strong><\/p>\n\n\n\n

Barbara Baert<\/strong>, \u00ab\u00a0Around the Sieve. Motif, Symbol, Hermeneutics\u00a0\u00bb, in: Textile. Journal of Cloth and Culture<\/em>, 16, 1, 2018, p. 3-23 (version abr\u00e9g\u00e9e : Barbara Baert<\/strong>, \u00ab\u00a0Around the Sieve. Motif, Symbol, Hermeneutics\u00a0\u00bb, in: Review of Irish Studies<\/em>,2, 1, 2018, p. 57-75.)<\/p>\n\n\n\n

Barbara Baert<\/strong>, Art and Mysticism as Horticulture. Late Medieval Enclosed Gardens of the Low Countries in an Interdisciplinary Perspective<\/em>, in: Helen Appleton and Louise Nelstrop (eds.), Art and Mysticism: Interfaces in the Medieval and Modern Periods<\/em>, Routledge, London, 2018, p. 104-127.<\/p>\n\n\n\n

Barbara Baert<\/strong>, \u00ab\u00a0The Other Man. John the Baptist\u2019s Platter as Paradigm for the Construction of Identities and Otherness\u00a0\u00bb, in: Maria Vittoria Spissu (ed.), Il Mito del Nemico. Identit\u00e0, Alterit\u00e0, e loro rappresentazioni<\/em>, Minerva Edizioni, Bologna, 2018, p. 59-72.<\/p>\n\n\n\n

Barbara Baert<\/strong>, \u00ab\u00a0Growing, Making, Meaning, with Special Attention to the Paperolles\u00a0\u00bb, in Lieve Watteeuw, Hannah Iterbeke (eds.), The Enclosed Gardens of Mechelen. Late Medieval Paradise Gardens Revealed<\/em>, Hannibal Publishing, Veurne, 2018, p. 78-89.<\/p>\n\n\n\n

Barbara Baert<\/strong>, \u00ab\u00a0Nesting and Vocalization. The Enclosed Gardens of Berlinde De Bruyckere\u00a0\u00bb, in Berlinde De Bruyckere, Barbara Baert, Lieve Watteeuw, It Almost Seemed a Lilly<\/em>, Hannibal Publishing, Veurne, 2018, p. IV.1-IV.16.<\/p>\n\n\n\n

Ralph Dekoninck<\/strong>, \u00ab\u00a0Cosmoclasme. Les images de la destruction du syst\u00e8me des objets du culte aux XVIe<\/sup> et XVIIe<\/sup> si\u00e8cles\u00a0\u00bb, in Perspective<\/em> (2018-2), p. 189-208.<\/p>\n\n\n\n

Soetkin Vanhauwaert<\/strong>, \u201cThe Sculpted Saint John\u2019s Head in the Low Countries 1370-1800: The Influence of the Council of Trent on Religious Cult Imagery\u201d, in: Wim Fran\u00e7ois, Violet Soen (eds), The Council of Trent: Reform and Controversy in Europe and Beyond (1545-1700), Vol. 3: Between Artists and Adventurers<\/em>, Vandenhoeck & Ruprecht, G\u00f6ttingen, 2018, p. 69-92.<\/p>\n\n\n\n

Mark Derez, Soetkin Vanhauwaert<\/strong>, en Anne Verbrugge (eds), Arenberg. Portret van een familie, verhaal van een verzameling<\/em>, Brepols, Turnhout, 2018 (ook in ENG en FR).<\/p>\n\n\n\n

Soetkin Vanhauwaert<\/strong>, \u201cArenberg as Benefactor. Religious Patronage with a Political Agenda\u201d, in: Mark Derez, Soetkin Vanhauwaert, Anne Verbrugge (eds), Arenberg. Portrait of a Family, Story of a Collection<\/em>, Brepols, Turnhout, 2018, p. 234-243.<\/p>\n\n\n\n

2019<\/strong><\/p>\n\n\n\n

Barbara Baert<\/strong>, Interruptions & Transitions. Essays on the Senses in Medieval and early Modern Visual Culture<\/em>, (Art and Material Culture in Medieval and Renaissance Europe<\/em>, 14), Brill, Leiden, 2019.<\/p>\n\n\n\n

Barbara Baert<\/strong>, About Sieves and Sieving. Motif, Symbol, Technique, Paradigm<\/em>, De Gruyter, Berlijn, 2019.<\/p>\n\n\n\n

Barbara Baert<\/strong>, \u00ab\u00a0The Spinning Head. Round Forms and the Phenomenon of the Johannessch\u00fcssel\u00a0\u00bb, in Joseph Imorde & Andreas Zeising (eds.), Runde Formationen. Mediale Aspekte des Zirkul\u00e4ren<\/em> (Bild- und Kunstwissenschaften, 10), Siegen, 2019, p. 45-58.<\/p>\n\n\n\n

Ralph Dekoninck<\/strong>, \u00ab\u00a0D\u00e9truire ou exalter. L\u2019orf\u00e8vrerie liturgique \u00e0 travers la peinture et la gravure des Temps modernes\u00a0\u00bb, in: Christian Pacco (dir.), L\u2019orf\u00e8vrerie liturgique: sens, histoire et conservation<\/em>, Namen, CIPAR, 2019, p. 31-43.<\/p>\n\n\n\n

Soetkin Vanhauwaert<\/strong>, \u201c’Wat staat daar nu eigenlijk op, op zo’n Gregoriusmis?’\u201d, in: Ex Abundantia Cordis. Vriendenboek Mark Derez<\/em>, Universitaire Pers Leuven, Leuven, 2019, p. 30-31.<\/p>\n\n\n\n

2020<\/strong><\/p>\n\n\n\n

Barbara Baert<\/strong>, \u00ab\u00a0Trompe l\u2019oeil und Raum der Intimit\u00e4t. Die Eingefassten G\u00e4rten in denNiederlanden neu denken (15. Jahrhundert und sp\u00e4ter)\u00a0\u00bb, in: Helga Lutz & Bernhard Siegert (eds.), Exzessive Mimesis. Trompe l\u2019oeils und andere \u00dcberschreitungen der \u00e4sthetischen Grenze<\/em>, Edition Metzel, M\u00fcnchen, 2020, p. 163-196.<\/p>\n\n\n\n

Ralph Dekoninck<\/strong> et Caroline Heering<\/strong>, \u00ab\u00a0Ornamenta Sacra<\/em>. L\u2019art de la liturgie et la liturgie de l\u2019art entre moyen \u00e2ge et temps modernes\u00a0\u00bb, in: Myriam Watthee-Delmotte (ed.), Rite et Cr\u00e9ation<\/em>, Hermann, Parijs, 2020, p. 63-82.<\/p>\n\n\n\n

Caroline Heering<\/strong>, \u00ab De la sculpture \u00e0 la v\u00eature : pour une compr\u00e9hension \u00e9largie de l\u2019ornement de l\u2019architecture au cours de la premi\u00e8re modernit\u00e9 (Pays-Bas, XVIIe<\/sup> si\u00e8cle) \u00bb, in: M. Lett, C. Magnusson et L. Marquaille (ed.), D\u00e9cor et architecture (XVIe<\/sup>-XVIIIe<\/sup> si\u00e8cle). Entre union et s\u00e9paration des arts<\/em>, Peter Lang, Berlijn, 2020, p. 43-56.<\/p>\n\n\n\n

Wendy Wauters<\/strong>, \u00ab\u00a0The Stirring of the Religious Soundscape. The Auditory Experience in the Antwerp Church of Our Lady (c. 1450-1566) and an Iconological Analysis of the Altar Bell\u00a0\u00bb, in: Teresa Hiergeist, Ismael del Olmo (eds.), Christian Discourses of the Holy and the Sacred from the 15th to the 17th Century<\/em>, Peter Lang, Berlijn, 2020, pp. 221-260.<\/p>\n\n\n\n

Wendy Wauters<\/strong>, \u00ab\u00a0The Origins of the Furnace Motif. From Magico-religious Ritual to Early Modern Tale of Makeability\u00a0\u00bb, in: Journal of Early Modern Christianity<\/em> 7, 1 (2020), p. 85-110.<\/p>\n\n\n\n

2021<\/strong><\/p>\n\n\n\n

Barbara Baert<\/strong>, \u00ab\u00a0Contribution \u00e0 l\u2019 anthropologie visuelle du textile\u00a0\u00bb, in: Caroline Heering (\u00e9d.), Habiller le culte<\/em>, TAMAT, Doornik, 2021, p. 7-45.<\/p>\n\n\n\n

Marie-Christine Claes<\/strong>, \u00ab\u00a0Le patrimoine religieux mobilier, un bien commun \u00e0 red\u00e9couvrir, \u00e0 sauver et \u00e0 partager\u00a0\u00bb, in: Th\u00e9r\u00e8se Cortembos & Marie-Christine Claes (dir.), De Saint-Ignace \u00e0 Saint-Loup (1621-2021) : quatre si\u00e8cles d\u2019un tr\u00e9sor baroque \u00e0 Namur<\/em>, Soci\u00e9t\u00e9 arch\u00e9ologique de Namur, Namen, 2021, p. 532-553.<\/p>\n\n\n\n

Ralph Dekoninck<\/strong> & Caroline Heering<\/strong>, \u00ab\u00a0Le permanent et l\u2019\u00e9ph\u00e9m\u00e8re : ornements d\u2019architecture et art du spectacle\u00a0\u00bb, in: Th\u00e9r\u00e8se Cortembos et Marie-Christine Claes (dir.), De Saint-Ignace \u00e0 Saint-Loup. Quatre si\u00e8cles d\u2019un joyau baroque \u00e0 Namur<\/em>, Namur, Soci\u00e9t\u00e9 arch\u00e9ologique de Namur, Namen, 2021, p. 253-289. <\/p>\n\n\n\n

Ralph Dekoninck<\/strong> & Caroline Heering<\/strong> , \u00ab\u00a0Penser l\u2019objet sous le prisme du rituel\u00a0\u00bb, in: Caroline Heering et Anne-Marie Vuillemenot (dir.), Art & rite<\/em>, Le pouvoir des objets<\/em>, Catalogue d\u2019exposition, Mus\u00e9eL, Louvain-la-Neuve, 23 April-25 Juli 2021, PUL, Louvain-la-Neuve, 2021, p. 14-19.<\/p>\n\n\n\n

Ralph Dekoninck<\/strong>, \u00ab\u00a0V\u00eatir ou travestir. Le syst\u00e8me des ornements sacr\u00e9s et sa mise en crise au premier \u00e2ge moderne\u00a0\u00bb, in: Caroline Heering (dir.), Habiller le culte. Les fastes brod\u00e9s de l\u2019atelier Dormal-Ponce \u00e0 Ath au 18\u00e8me si\u00e8cle, <\/em>TAMAT, Doornik, 2021, p. 33-42.<\/p>\n\n\n\n

Caroline Heering<\/strong> (dir.), Habiller le culte. Les fastes brod\u00e9s de l\u2019atelier Dormal-Ponce \u00e0 Ath au 18e<\/sup> si\u00e8cle<\/em>, TAMAT, Doornik, 2021.<\/p>\n\n\n\n

Caroline Heering<\/strong>, Murielle Gilbert & H\u00e9l\u00e8ne Malice, \u00ab\u00a0La chape de Renaix : une \u0153uvre de l\u2019atelier Dormal-Ponce ?\u00a0\u00bb, in: Caroline Heering (dir.), Habiller le culte. Les fastes brod\u00e9s de l\u2019atelier Dormal-Ponce \u00e0 Ath au 18e<\/sup> si\u00e8cle<\/em>, TAMAT, Doornik, 2021, p. 182-203.<\/p>\n\n\n\n

Caroline Heering<\/strong>, \u00ab\u00a0Formes et signification du d\u00e9cor brod\u00e9 : pour une iconologie de l\u2019ornement\u00a0\u00bb, in: Caroline Heering (dir)., Habiller le culte. Les fastes brod\u00e9s de l\u2019atelier Dormal-Ponce \u00e0 Ath au 18e<\/sup> si\u00e8cle<\/em>, TAMAT, Doornik, 2021, p. 182-203.<\/p>\n\n\n\n

Caroline Heering<\/strong> & Anne-Marie Vuillemenot (dir.), Art & Rite. Le pouvoir des objets<\/em>, Catalogue d\u2019exposition, Mus\u00e9eL, Louvain-la-Neuve, 23 April-25 juli 2021, PUL, Louvain-la-Neuve.<\/p>\n\n\n\n

Caroline Heering<\/strong>, \u00ab\u00a0Voile de calice\u00a0\u00bb, dans Caroline Heering et Anne-Marie Vuillemenot (dir.), Art & Rite. Le pouvoir des objets<\/em>, Catalogue d\u2019exposition, Mus\u00e9eL, Louvain-la-Neuve, 23 April-25 Juli 2021, PUL, Louvain-la-Neuve, 2021, p. 38-39.<\/p>\n\n\n\n

C\u00e9dric Byl, Caroline Heering<\/strong> & Anne-Marie Vuillemenot, \u00ab\u00a0Fabriques rituelles\u00a0\u00bb, in: Caroline Heering & A.-M. Vuillemenot (dir.), Art & Rite. Le pouvoir des objets<\/em>, Catalogue d\u2019exposition, Mus\u00e9eL, Louvain-la-Neuve, 23 April-25 Juli 2021, PUL, Louvain-la-Neuve, 2021, p. 40-49.<\/p>\n\n\n\n

Ralph Dekoninck<\/strong>, Caroline Heering<\/strong>, Arnaud Join-Lambert, Fr\u00e9d\u00e9ric Laugrand & Anne-Marie Vuillemenot, \u00ab\u00a0Objets activ\u00e9s, objets manipul\u00e9s\u00a0\u00bb, in: Caroline Heering & Anne-Marie Vuillemenot (dir.), Art & Rite. Le pouvoir des objets<\/em>, Catalogue d\u2019exposition, Mus\u00e9eL, Louvain-la-Neuve, 23 April-25 Juli 2021, PUL, Louvain-la-Neuve, 2021, p. 50-65.<\/p>\n\n\n\n

C\u00e9dric Byl, Caroline Heering<\/strong> & Anne-Marie Vuillemenot, \u00ab\u00a0Une forme rituelle : la spirale\u00a0\u00bb, in: dans Caroline Heering & Anne-Marie Vuillemenot (dir.), Art & Rite. Le pouvoir des objets<\/em>, Catalogue d\u2019exposition, Mus\u00e9eL, Louvain-la-Neuve, 23 April-25 Juli 2021, PUL, Louvain-la-Neuve, 2021, p. 70-77.<\/p>\n\n\n\n

C\u00e9dric Byl, Caroline Heering<\/strong> & Myriam Wathee-Delmotte, \u00ab\u00a0La force du beau\u00a0\u00bb, in: Caroline Heering<\/strong> & A.-M. Vuillemenot dir., Art & Rite. Le pouvoir des objets<\/em>, Catalogue d\u2019exposition, Mus\u00e9eL, Louvain-la-Neuve, 23 April-25 Juli 2021, PUL, Louvain-la-Neuve, 2021, p. 88-97.<\/p>\n\n\n\n

Wendy Wauters<\/strong>, \u00ab\u00a0Smelling Disease and Death in the Antwerp Church of Our Lady\u00a0\u00bb, in: Early Modern Low Countries<\/em> 5, 1 (2021), pp. 17-39.<\/p>\n\n\n\n

2022<\/strong><\/p>\n\n\n\n

Ralph Dekoninck<\/strong>,\u00a0\u00ab Introduction :\u00a0Towards a Holistic Approach of the Ornamenta Sacra\u00a0\u00bb,<\/em>\u00a0in: <\/strong>Ralph Dekoninck, Marie-Christine Claes & Barbara Baert, (dir.),\u00a0Ornamenta Sacra. Iconological and Anthropological Study of the Late Medieval and Early Modern Liturgical Objects in a European Context (1400-1800)<\/em> (Art & Religion, 13), Peeters, Leuven, 2022, p. 1-11. \u00a0<\/p>\n\n\n\n

Caroline Heering<\/strong>, \u00ab\u00a0Ornamenta Sacra.<\/em> Des objets comme ornements aux ornements des objets\u00a0\u00bb, in: <\/strong>Ralph Dekoninck, Marie-Christine Claes & Barbara Baert, (dir.),\u00a0Ornamenta Sacra. Iconological and Anthropological Study of the Late Medieval and Early Modern Liturgical Objects in a European Context (1400-1800)<\/em> (Art & Religion, 13), Peeters, Leuven, 2022, p. 15-36. \u00a0<\/p>\n\n\n\n

Emmanuel Joly<\/strong>, \u00ab\u00a0Le financement et la charge d\u2019entretien des ornements liturgiques dans l\u2019ancien dioc\u00e8se de Li\u00e8ge (1300-1789)\u00a0\u00bb, in: <\/strong>Ralph Dekoninck, Marie-Christine Claes & Barbara Baert, (dir.),\u00a0Ornamenta Sacra. Iconological and Anthropological Study of the Late Medieval and Early Modern Liturgical Objects in a European Context (1400-1800)<\/em> (Art & Religion, 13), Peeters, Leuven, 2022, p. 233-246. <\/p>\n\n\n\n

Soetkin Vanhauwaert<\/strong>, \u201cLeaning on the Eucharist. A blood relic of St John the Baptist in the St John\u2019s Church in Mechelen\u201d, in: <\/strong>Ralph Dekoninck, Marie-Christine Claes & Barbara Baert, (dir.),\u00a0Ornamenta Sacra. Iconological and Anthropological Study of the Late Medieval and Early Modern Liturgical Objects in a European Context (1400-1800)<\/em> (Art & Religion, 13), Peeters, Leuven, 2022, p. 117-138. <\/p>\n\n\n\n

Wendy Wauters<\/strong>, \u00ab\u00a0The Invisible Presence of ornamenta sacra<\/em> in the Antwerp Church of Our Lady (c. 1450-1566)\u00a0\u00bb, in: <\/strong>Ralph Dekoninck, Marie-Christine Claes & Barbara Baert, (dir.),\u00a0Ornamenta Sacra. Iconological and Anthropological Study of the Late Medieval and Early Modern Liturgical Objects in a European Context (1400-1800)<\/em> (Art & Religion, 13), Peeters, Leuven, 2022, p. 207-232. <\/p>\n\n\n\n

Komende publicaties<\/strong><\/p>\n\n\n\n

Barbara Baert<\/strong>, \u00ab\u00a0The New Lamb or the Iconic Gaze\u00a0\u00bb, in: Ralph Dekoninck & al. (eds.), Icons in the West from the 15th Century to Nowadays<\/em>, Bruxelles, (komende publicatie).<\/p>\n\n\n\n

Ralph Dekoninck<\/strong> & Caroline Heering<\/strong>, \u00ab\u00a0Protestant and Catholic Representations of the Art of Liturgy between the Northern and Southern Netherlands\u00a0\u00bb, in: Almut Pollmer-Schmidt et Esther Meier (eds), Kunst und Katholizismus in der niederl\u00e4ndischen Republik\/Art and Catholicism in the Dutch Republic<\/em>, Francfort, (komende publicatie).<\/p>\n\n\n\n

Ralph Dekoninck<\/strong> & Caroline Heering<\/strong>, \u00ab\u00a0F\u00e9minisation monstrueuse ou glorification sanctifiante : l\u2019imaginaire du v\u00eatement liturgique entre catholiques et protestants au premier \u00e2ge moderne\u00a0\u00bb, in: Sylvia Mostaccio & Jean-Pascal Gay (eds.), Masculinit\u00e9s sacerdotales<\/em>, ( komende publicatie). <\/p>\n\n\n\n

Ralph Dekoninck<\/strong> & Caroline Heering<\/strong>, \u00ab\u00a0The ‘ornamentalisation’ of the Ornamenta sacra<\/em> in the early modern Low Countries \u00bb, in: Matt Kavaler & Anne-Laure Van Bruaene (dir.), Objects of Devotion. Religion and its Instruments in Early Modern Europe<\/em>, Brepols, Turnhout (komende publicatie ).<\/p>\n\n\n\n

Ralph Dekoninck<\/strong> & Caroline Heering<\/strong>, \u00ab\u00a0L\u2019ornementalisation des Ornamenta Sacra <\/em>dans les anciens Pays-Bas des XVIIe et XVIIIe si\u00e8cles\u00a0\u00bb, in: Juliette Bracke, Julie Glodt et Nicolas Sarzeaud (dir.), Rituel et image : textiles et r\u00e9v\u00e9lation du sacr\u00e9 \/ Ritual and Image: Textiles and the Revelation of the Sacred<\/em>, Parijs, HiCSA, (komende publicatie).<\/p>\n\n\n\n

Eugeen Schreurs & Wendy Wauters<\/strong>, Music and Lived Religion in the Collegiate Church of Our Lady in Antwerp, 1370-1566<\/em> (Epitome musical), Brepols, Turnhout (komende publicatie).<\/p>\n\n\n\n

Wendy Wauters<\/strong>, \u00ab\u00a0Outside the Frame. The Spatial Experience of Late Medieval Altarpieces\u00a0\u00bb, in: Hannah De Moor & Julie Beckers (dir.), Taking Shape. Sculpture of the Low Countries, 1400-1600<\/em>, Amsterdam University Press, Amsterdam, (komende publicatie).<\/p>\n","protected":false},"excerpt":{"rendered":"

2017 Barbara Baert & Sophia Rochmes (eds.), Decapitation and Sacrifice. St. John’s Head in interdisciplinary perspectives: Text, Object, Medium, (Art&Religion, 6), Peeters, Leuven, 2017. Barbara Baert, \u00ab\u00a0Vox clamantis in deserto. John’s Head on the Silent\u00a0\u00bb, in: Barbara Baert & Sophia Rochmes (eds.), Decapitation and Sacrifice. St. John’s Head in interdisciplinary perspectives: Text, Object, Medium, (Art&Religion, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-194","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/ornamentasacra.kikirpa.be\/index.php?rest_route=\/wp\/v2\/pages\/194","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ornamentasacra.kikirpa.be\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/ornamentasacra.kikirpa.be\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/ornamentasacra.kikirpa.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ornamentasacra.kikirpa.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=194"}],"version-history":[{"count":9,"href":"https:\/\/ornamentasacra.kikirpa.be\/index.php?rest_route=\/wp\/v2\/pages\/194\/revisions"}],"predecessor-version":[{"id":2334,"href":"https:\/\/ornamentasacra.kikirpa.be\/index.php?rest_route=\/wp\/v2\/pages\/194\/revisions\/2334"}],"wp:attachment":[{"href":"https:\/\/ornamentasacra.kikirpa.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}